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The
Homeplace is a recurring theme important to all of our Appalachian texts
this semester, and it is
important in many ways. The
homeplace is at first the family homestead – the log cabin, the corn
crib, the salt house, the garden; but
it's also the surrounding land. It’s
the creek bed in the holler and the bald on the mountain peak. It’s the particular way the wind blows or the smell of
mountain laurel. And the
homeplace is a place of memories. It’s
the symbol of a hard life eked out of working the land.
The homeplace, especially in River of Earth, is a way of
life. The homeplace
represents subsistence farming and cultivating the land.
It’s a place of life and death, where generations are born and
buried on the same plot of ground.
More than anything, the homeplace represents the Appalachian
rural way of life. The
homeplace is a metaphor for their struggle and understanding the
homeplace and the way it has changed is to understand the transformation
that disrupted life in the mountains.
Jack Weller, in his description of
Appalachian culture in Yesterday’s People, speaks about
Appalachian culture as being backward oriented, towards remembering a
better time, looking back to the “good old days.”
Mountain music, he describes, is nostalgic and melancholy, and
mountain ballads sing of “friends, family and situations of a time now
past” (Weller 34). And
folk stories paint the picture of the folk hero returning home, to find
“security again around the fireplace or front porch, or else to find
it gone, while memories flood in” (Weller 35).
Indeed, Weller is correct that Appalachian culture is centered
around looking back to better times.
A study of the homeplace is to study
the Appalachian experience, and especially with the texts read this
semester, one can trace how life in the mountains has changed.
Most notably, this change of lifestyle can be traced to the
introduction of industry into the mountains.
Coal mines, salt mines, and copper mines dominated the industrial
mining of the Appalachian mountains and their subsequent environmental
burden on the land and recruitment of local workers significantly
altered the physical and social landscape.
As a result, social patterns of Appalachian culture as well as
ideas of the homeplace underwent similar transformations.
The texts of this semester have covered a breadth of the meanings
of the homeplace. River
of Earth offers a particularly good study of the homeplace because
it discusses the conflict of the Appalachian people caught between two
competing ways of living: in the camp towns of the mining industries, or
to remain on the family farm being self-supportive.
The metaphor of this struggle is captured in the marriage of
Alpha and Brack Baldrige, and their competing beliefs of the importance of the
homeplace locate a major conflict in Appalachian culture.
"The
consolidation of land into large private and federal timber holdings had
a profound impact on the subsistence economy of the mountain region.
-from
"Where There Are Mountains: an environmental history of the
Southern Appalachians
But what the homeplace means to Alpha Baldrige is not necessarily
the same homeplace to the other characters from texts this semester. Here
are links to the other texts from this semester that discuss different
interpretations of the homeplace.

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Many
of the images on this site are photographs by William Gedney during
his trips to Kentucky in 1964 and 1971. His collections
cover a breadth of subjects but his particular work in Kentucky
captures a unique perspective of the homeplace. I find that
his work embodies the spirit of the homeplace through means of
visual representation what many of the Appalachian authors
communicate through their literature. The unavoidable subject
of poverty is a constant in Gedney's work, yet there is a purity and
appreciation for Appalachia's rural people in Gedney's
pictures. His compositions are a view into Appalachian culture
without evoking sympathy or judgment. He becomes invisible and
the true creators of the stunning images are the subjects themselves.
View the full William Gedney collection here:
http://scriptorium.lib.duke.edu/gedney/thumbs/kentucky/kentucky1.html
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